The Masonic Library and Museum of Indiana will be open for Masons and the public this Saturday, January 11th beginning at 7AM in conjunction with the annual Founders Day program. The Museum will remain open into the afternoon until at least 4PM, after the meeting of the Dwight L. Smith Lodge of Research.
Please come and visit us on the 5th floor of the Indianapolis Masonic Temple!
If you are coming to Founders Day, the Speedway DeMolay in partnership with the Grand Lodge will be serving a wonderful breakfast for Masons and guests starting at 7AM until 10AM in the 2nd floor dining room. Price is just $8 for all you can eat! So grab some breakfast and visit the Museum before the festivities begin!
The Dwight L. Smith Lodge of Research wintertime meeting will begin at approximately 3PM on the 5th floor of the Temple, after the conclusion of the Grand Lodge Education Committee breakout session. All Indiana Masons and those in amity with the Grand Lodge F&AM of Indiana are welcome to attend. WM Christopher Hodapp will give a presentation entitled “Your Son Is My Brother” on the use of the Evansville and Indianapolis Masonic Temples during World War II as military service centers, part of a national Masonic movement to assist military personnel. Barry White will present news about the new Montgomery County Masonic Museum taking shape in Columbus. And we’ll be discussing exciting new changes coming soon to the Indianapolis Temple, as well as an upcoming trip to visit the wealth of Masonic sites in Lafayette in the spring. Please join us!
The Indianapolis Masonic Temple is located at 525 N. Illinois Street, just south of the Scottish Rite cathedral parking lot.
For more information about the Masonic Library & Museum of Indiana, visit our website at www.mlmindiana.org
The Masonic Library & Museum of Indiana is proud to feature a new exhibit about an Indiana Mason who is truly a living legend in the world of baseball. Brother Carl Erskine was a pitcher for the Brooklyn/Los Angeles Dodgers between 1948 and 1959. In the 1950s, there were only seven no-hitter games in the National League, and Brother Carl pitched two of them. In the 1953 season he won twenty games and made history during the World Series by striking out fourteen Yankee hitters in a single game, a record that would stand for ten years. Before retiring from baseball in 1959, Carl’s career included 122 wins, a World Series title, and two no-hitters.
Carl was born in Anderson, Indiana in 1926, where he still lives today. Growing up in Anderson, Carl wasn’t the only future professional sports figure in town.
His was a racially mixed neighborhood, and his childhood friend Johnny Wilson would later be known as Jumpin’ Johnny Wilson of the Harlem Globetrotters.
While playing for the Dodgers, Carl was a teammate with Jackie Robinson, the first baseball player to break the color barrier in 1947. When Robinson asked Carl why he had no problem with the “white and black thing,” Carl simply answered, “Johnny Wilson.” The two men remained close friends in Anderson until Wilson’s death last year.
Following his baseball career, Carl became an admired leader in his hometown community. He coached baseball at Anderson College for 12 years, served as President of Star Bank, and was active in numerous community organizations. Brother Carl joined Fellowship Lodge 681 in Anderson at the height of his most successful year of 1953. To this day he believes that Masonic principles help men become builders by building values in their life, “because without discipline, you hardly have control of your life.”
In researching our exhibit, Director Mike Brumback, PGM, and our IUPUI Museum Studies intern Eldon Yeakel visited him at his home. Eldon was especially enthusiastic about creating this exhibit, as he previously interned at the Baseball Hall of Fame in Cooperstown, New York.
Brother Bruce Crouch was exploring the former site of John Bigger’s Trading Post in Ellettsville, Indiana (Monroe County) and discovered this unusual Masonic relic.
It is a bronze suspender buckle featuring a Masonic square and compass, patented in 1872 by inventor J. O. West.
According to Brother Crouch, the land was deeded to John Bigger in 1814 by the government while still part of the Indiana Territory. It remained a trading post for many years, with evidence of activity left by Indians, settlers and the military. By the 1860s, it had become a farm, but the house that stood there was gone by the early 1900s. The property is now owned by the town of Ellettsville, but Bruce is still trying to find the name of the owner in the 1870s so we can determine his Masonic record.
Bruce has graciously donated the buckle to the Masonic Library & Museum of Indiana.
The silver Masonic officers jewels stolen by Morgan’s Raiders from Versailles Lodge have been returned!
Well, that sounds a bit hyperbolic. They’ve actually been brought back to the Masonic Library and Museum of Indiana by the members of Versailles Lodge, who are once again loaning us their treasured artifact of the Civil War period for a brief time.
If you missed seeing them on display last year, be sure to stop by the Museum and take this opportunity now.
And if you don’t know the story of Morgan and his infamous raid across southern Indiana during the Civil War, or how and why these silver jewels were seized and returned, read about it here.
The Masonic Library and Museum of Indiana, in conjunction with the Indiana State Library, is now making available the complete collection of the Indiana Freemason Magazinefrom 1923 – 2003 for online access, as part of Indiana Memory Project.
The magazine was originally created as the official publication of the Grand Lodge of Free and Accepted Masons in the State of Indiana in 1923 as a project of the in-house print shop within the Indiana Masonic Home in Franklin. That professional printing facility was established partially as a vocational training program for some of the eventual 860 orphans of Freemasons who lived at the Home until 1975.
This searchable online collection of more than 39,000 pages will be a treasure trove for historians, genealogists and other historical researchers, and includes historical articles, photographs, current events, lists of lodges, plus Masonic members and officers involved in countless activities, and even advertising of businesses of the 20th century across Indiana.
The Indiana Freemason had several editors over the decades, but was especially dominated after WWII by noted Masonic historian, author, Past Grand Master and Past Grand Secretary, Dwight L. Smith.
Also included in the collection are approximately 900 pages of a selected number of local Masonic lodge histories from across the state, which were assembled around 1968. These frequently contain historical lists of former members and officers, along with telling the stories of lodges with their communities.
The Masonic Library & Museum of Indiana will be open during both days of the Grand Lodge F&AM of Indiana’s Annual Communication, Tuesday and Wednesday, May 21-22, 2019. Indiana Freemasons Hall will open at 7AM, and while breakfast will not be served either day this year, we will have coffee and donuts available. Visit us on the 5th Floor of the Temple at 525 North Illinois Street, just south of the Cathedral.
On Wednesday, we will remain open after the officers’ installation and official close of the Annual Communication, expected to be at noon (there is no lunch served on Wednesday, but the Double Eagle Cafe will be open).
The Dwight L. Smith Lodge of Research UD will hold their May meeting on the 5th floor approximately one hour after the communication ends Wednesday, opening lodge at 1PM. Author Christopher Hodapp (Heritage Endures) will be presenting a paper, ‘In Search of the Lost Grand Master – Alexander Buckner,’ bringing to light much that has not been known about Indiana’s first Grand Master, who fled the state for Missouri just seven months into his term in 1818. In recent months, WB Hodapp has discovered what may be the only known surviving artifact that was associated with Buckner and Masonry – from his new lodge in Birdstown, Missouri, granted an Indiana dispensation in 1819 before statehood there was declared. Hodapp will trace Buckner’s trail, the duel that may have driven him from the Hoosier state, the lodge that was important to two different states, and the mystery of his roaming remains after his death in 1833.
The Library & Museum will remain open after the DLS meeting for Masons and visitors. Come see our new exhibits and changes!
We are excited to announce a new online feature that will make the Museum more useful and accessible than ever!
While we regularly change our exhibits at the Masonic Library & Museum of Indiana, it reflects only a tiny portion of our vast collection. In the years that we have been located in our present home in Indiana Freemasons Hall (and with the dedicated assistance of our IUPUI Museum Studies interns), we have been carefully cataloguing all of our various artifacts. We use a specialized program, PastPerfect Museum Software, to document and track all of our objects, whether you actually see them on display or not.
Now, through our association with Past Perfect Software, we are making it possible to view the collection online. Clicking on our ONLINE COLLECTION link will open a separate PastPerfectOnline portal that will let you access and search the photographic and written records.
Take the opportunity to browse our collection and see what surprises we have in our vaults!
The Masonic library and Museum of Indiana has just acquired a new six-volume collection of the Masonic Service Association’s Short Talk Bulletins.
The MSA has published a Short Talk Bulletin virtually every month since 1923. They were conceived in pre-internet days as a partial answer to the howls from Masons back in the 1920s and before—right up to today—who begged for Masonic education at their lodge meetings. If Masons wouldn’t do research themselves, and grand lodges published lousy newsletters and magazines, so the thinking went, at the very least the little STB always offered a monthly dose of ready made, discussion-provoking material. Today, the entire set is a treasure trove of knowledge on hundreds of topics, presented in more than 1,000 concise articles.
Our old collection of the original STBs was incomplete and hadn’t been updated in over a decade. Additionally, they took up three sets of shelves and were not indexed. The entire collection through 2016 has been freshly edited, typeset, and indexed by S. Brent Morris, editor of the Scottish Rite Journal. This makes them far more useful and accessible than ever before.
Both of the elevators in the Indianapolis Masonic Temple are now fully operational, and the Masonic Library & Museum of Indiana is once again accessible to anyone unable to use the steps. We apologize to anyone who was inconvenienced by the service interruption or prevented from visiting, and we hope you will visit us soon.
Sometime between 1860 and 1880, Indiana Freemason George S. Frank spent hundreds of hours hand-crafting about 70 distinct, recognizable Masonic symbols, assembling them into a detailed puzzle-like montage. This intricately hand-carved Civil War-era wooden sculpture is a one-of-a-kind piece of Masonic folk art the likes of which you will never find anywhere else: an expression in wood of all three Masonic degree tracing boards. It must be seen in person to fully appreciate this sculpture, as it is nearly impossible to photograph.
The term “folk art” was used during the 1700s and 1800s to describe works of art made by craftsmen, manual laborers, peasants, tradesmen, and working-class people. Folk art is very different from the sort of formalized artwork that usually hangs in museums and galleries. It is created by everyday people, not trained artists, and is usually made from everyday objects and material as an expression of their emotions, their passions, or their ideas. And sometimes, Freemasonry and its symbolism has been the inspiration for incredible works of that expression by individual Masons in the unlikeliest of forms.
As you peer into the sculpture’s recesses, each new viewing reveals even more details, and nearly any Masonic symbol you can think of from the first three degrees appears somewhere deep within its many layers of carvings. Brother Frank even used locks of his own hair for the three human carvings. While the overwhelming majority of the sculpture’s carvings are recognizable as Masonic symbols, there are a few that are not, including the large bird with unfurled wings on the top, and several Medieval staffs or spears that help connect the structure together.
Portland Mills’ Unique Heritage of Carpentry
In 1830, two year-old George S. Frank’s family uprooted themselves along with several of their neighbors from North Carolina and headed West. The three month long trip took the Frank family from North Carolina across winding trails, paths and unimproved roads until they finally reached the Cumberland Road which led West to the small village of Indianapolis. There they were informed that Portland Mills was a thriving town “about fifty miles farther west with a good grist mill, a tannery, and stores where salt, calico and other necessary supplies” could be obtained.
They settled around Portland Mills in Parke County, Indiana along the Big Raccoon Creek, near what was then called Mansfield Lake (later Raccoon Lake). Portland Mills had been established in 1821 as a settlement along an old Indian trail, just nine years before George’s family arrived, and there was soon a grain mill, a saw mill and a distillery built on the creek. When the Franks arrived, the town was surrounded by a dense forest of white oaks and yellow poplar trees towering 100 feet. In addition, there were huge sycamores, sugar maples, black walnut, ash, red elm, sassafras, pawpaw and crab apples.
Constantly spanning the numerous creeks and streams that crisscrossed through the local countryside presented both opportunities and challenges to the local farmers and businesses. Bridges became vital to the area to serve the growing number of mills along the creeks, but stone structures were too expensive, and open wooden bridges deteriorated far too quickly. Covered wooden bridges, on the other hand, had a much longer service life. By the time young George had reached adulthood, the area was already known for its industriousness and creativity in the art of engineering, woodworking and carpentry. Between 1847 and 1920, Parke County, Indiana would erect almost 60 distinctive wooden covered bridges—more than any other county in America—and it eventually became a center for two of the country’s major covered bridge manufacturers. George Frank’s endlessly fascinating Masonic sculpture is perhaps an expression of that unique heritage of Parke County.
The Masonic lodge was established at Portland Mills in 1851, along with the first post office. Brother George S. Frank petitioned the newly chartered Portland Lodge No. 90 late in 1851 at the age of twenty-three, and became a Master Mason the next year, stating his occupation as a farmer. A little over twenty years later in 1873, he moved his membership to a newer lodge, Morton Lodge No. 469, where he went on to serve as a Junior Deacon. It’s possible that the tiny village of Morton was closer to his farm than Portland Mills had been, and he transferred there just after the newer lodge was chartered. In addition to his farm, he served for a few years in the early 1880s as the Postmaster of Brick Chapel, the next tiny community that lies south of Morton. George was also a member of Union Chapel Methodist Episcopal Church near Morton, Indiana. He joined the congregation in 1849, and was buried in the cemetery there in 1896.
The village of Portland Mills no longer exists today, as it was submerged in 1959 when the Mansfield Dam was built and Raccoon Lake became a reservoir. Portland Mills had the unique distinction of being in two counties and four different townships. It was within Clinton and Russell townships of Putnam County, and also Union and Green townships of Parke County. At one time the community was in two separate Congressional Districts.
The Sculpture and the Civil War
But there is an especially tantalizing tale concerning the creation of this artistic demonstration of devotion to the symbolism and fraternity of Freemasonry. When the Civil War broke out in 1861, Portland Mills was eager to support the Union cause. It has been claimed that this community supplied more fighting men than any other of its size in Indiana, and the area’s covered bridges were used to help train local soldiers in fighting around structures.
The Frank family legend states that George S. Frank served in the Union Army, and that he actually carved the pieces of this sculpture during the Civil War while imprisoned in a Confederate prisoner-of-war camp. The legend says that Frank did so to preserve his sanity, and “swiped firewood and traded his own rations for bits of wood” in order to carve each individual piece. The legend concludes that Frank assembled these various pieces together into the present three-dimensional montage sometime in the 1880s, after the war. The underside of the sculpture’s platform is stenciled, “M. O’Connor & Co. Indianapolis, Indiana,” which was a general merchandise supplier in the 1870s. This was likely a scrap piece of wood Brother Frank later obtained that allowed him to mount his collection of disparate carvings.
Following his death, the sculpture remained in the possession of Brother Frank’s family. In the 1920s it was stored in their coal shed near Rockville, Indiana, until it was found and given to the Scottish Rite Valley of Terre Haute Museum in 1971, where it was on display for the last 45 years. The Masonic Library and Museum of Indiana acquired the sculpture on September 13, 2018.
Our research has shown that a ‘George S. Frank’ from Indiana and born in North Carolina did serve in the Civil War but was inducted at age 31 (not 21 as our Masonic artist would have been). This may have merely been an error on the paperwork. However, we cannot prove or disprove specifically that Brother George S. Frank of either Parke or Putnam County, Indiana was ever a prisoner of war. If the legend can ever be verified, this sculpture has even greater significance as military prisoner-of-war art, or “trench art” from the Civil War era. In fact, the Indiana War Memorial was convinced enough by the story that the sculpture was exhibited there for several years on loan from the Scottish Rite.
We are continuing to research Brother Frank’s story and possible military record. Nevertheless, this beautiful sculpture has survived to show us an exquisite example of what Freemasonry means to many of its members, and the sort of dedication it inspired.